| Section | What it does | |---------|---------------| | (bottom) | Adds synthetic width to mono or narrow stereo signals. | | Width slider (center) | Widens or reduces existing stereo width. | | Correlation Meter (left) | Shows phase relationship (-1 to +1). | | Vectorscope (main circle) | Visual display of stereo phase & balance. | | Stereo Balance (right meter) | Left/right loudness difference. |
First, . Train your eyes to recognize the "ball" shape of a healthy stereo mix. For mastering, the general rule is that the low frequencies (bass and kick) should remain centered and mono, while high frequencies (cymbals, pads, vocals) can be wider. Ozone Imager is often used on the master bus, but it is equally powerful on individual tracks. For instance, using Stereo II on a mono guitar track can push it to the sides of the mix, leaving room for the vocals in the center. how to use ozone imager
Ozone Imager is a powerful audio processing plugin used to visualize and manipulate audio files. It's a popular tool among audio engineers, producers, and musicians. In this guide, we'll walk you through the steps to get started with Ozone Imager. | Section | What it does | |---------|---------------|
– but only after checking mono. Start with +20% width on stereo pads/keys, 0% on bass/kick, and use Stereoize sparingly on backing vocals or double-tracked guitars. The correlation meter is your safety net. | | Vectorscope (main circle) | Visual display
The primary function of Ozone Imager is controlled by the central Width knob. At its default setting of zero, the signal passes through unaltered. Turning the knob to the right increases the perceived width, making the sound source feel larger and more expansive. Turning it to the left narrows the stereo field, eventually collapsing the signal into mono. This simple control is often the first port of call for producers looking to give a lackluster track more space.
functions as a channel-based panning widener. It works by manipulating the difference between the left and right channels. If a track already has some stereo information (such as a drum overhead recording or a synth with a chorus effect), Stereo I will emphasize the differences between the channels. This mode is transparent and simple, but it is best reserved for sounds that already contain stereo information. If applied to a purely mono source, Stereo I will have no effect until the signal is panned away from the center.
