The concept of post‑digital describes a cultural moment where digital technology has become so ubiquitous that it recedes into the background, yet continues to shape perception. Scholars such as Manovich (2013) argue that this “post‑digital condition” foregrounds materiality within the digital sphere. Lovings’ installations exemplify this tension, as they materialize code through tactile objects, thereby challenging the binary between the virtual and the physical.
The concept of post‑digital describes a cultural moment where digital technology has become so ubiquitous that it recedes into the background, yet continues to shape perception. Scholars such as Manovich (2013) argue that this “post‑digital condition” foregrounds materiality within the digital sphere. Lovings’ installations exemplify this tension, as they materialize code through tactile objects, thereby challenging the binary between the virtual and the physical.
