Maratonci Trce Pocasni Krug Ceo Film | Latest
The story centers on the youngest, , who is fed up with the family trade and wants a different life—or at least a different way to make money. The plot thickens when the family patriarch, Pantelija, dies, leaving a will that triggers a chaotic and hilarious power struggle. Why it's a Legend:
Forty years after its release, Maratonci trče počasni krug remains shockingly relevant. It has become a cultural shorthand in the Balkans for any situation that is hopelessly, violently, and laughably cyclical—from family dinners to national politics. The film’s quotes ("Where’s the coffin?!" "Shut up, you fool!") have entered everyday speech. maratonci trce pocasni krug ceo film
Šijan and his screenwriter, Dušan Kovačević (adapting his own stage play), populate the film not with individuals but with grotesque caricatures of Balkan archetypes. The story centers on the youngest, , who
In the pantheon of Eastern European cinema, few films capture a nation’s soul through absurdist laughter as ruthlessly as Slobodan Šijan’s Maratonci trče počasni krug (1982). Often hailed as the quintessential Yugoslav—and subsequently Serbian—black comedy, the film is a whirlwind of screaming, gunfire, mud, and existential despair disguised as slapstick. To watch The Marathon Family is not merely to observe a story about a dysfunctional funeral home dynasty; it is to witness a scathing philosophical treatise on the cyclical nature of Balkan history, family trauma, and the impossibility of escape from one’s own inheritance. It has become a cultural shorthand in the
The Marathon Family is not a film you watch. It is a film you survive. And you are better—or at least more honestly cynical—for having done so.
The sound design is equally important. The dialogue is a rapid-fire, overlapping cacophony of insults, threats, and wails. Characters never listen; they merely wait for their turn to shout. This auditory chaos perfectly mirrors the political landscape of Yugoslavia that Šijan was indirectly critiquing—a federation of loud, mutually suspicious republics all shouting past one another.
