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This dynamic reflects a broader neoliberal shift where the body becomes a primary asset for capital generation. The genre capitalizes on the "sugar baby" dynamic but repackages it for a mass audience. The voyeuristic appeal for the consumer is often the perception of "ruin"—the idea that the performer is crossing a moral or social threshold they cannot return from, purely for money. This commodification of the performer's desperation reinforces harmful stereotypes regarding female sexuality and economic agency.
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