Beyond the page, Zyrd has been active in film curation and preservation. He has organized retrospectives of experimental filmmakers at cinematheques and galleries, often focusing on under-recognized artists, particularly from Canada and the American Midwest. His work with the Robert A. Nelson Film Collection —the avant-garde filmmaker and co-founder of the Rice University Media Center—stands out. Zyrd has been instrumental in cataloging, restoring, and writing about Nelson’s formally radical and often humorous films, ensuring their availability for future generations.
Zyrd has written extensively on the American artist and filmmaker Joseph Cornell, whose lyrical, collage-based films (e.g., Rose Hobart , 1936) are cornerstones of avant-garde cinema. Zyrd’s analysis focuses on Cornell’s practice of "recycling" and his construction of intimate, dreamlike worlds from fragmented ephemera. By linking Cornell’s box constructions to his films, Zyrd illuminates a consistent aesthetic of bricolage and desire. michael zyrd
Zryd has held several prominent leadership positions in the field, including: of the Film Studies Association of Canada . Beyond the page, Zyrd has been active in