Riya Sharma,: Artist, Latest [extra Quality]
"The latest work is about what we leave behind," Sharma explains. "I wanted the canvas to look like it was breathing. I wanted the viewer to see the history of the brushstrokes underneath the final layer, just like we see the history of a person when we look into their eyes."
The standout piece of the collection, titled The Echo of Light , showcases Sharma’s evolving technique. She has moved away from heavy impasto oils in favor of a difficult, translucent layering method using water-mixable oils and ink.
In an art world increasingly polarized between the grandiose spectacles of NFT mania and the solemn hush of traditional galleries, the artist Riya Sharma has carved out a distinctive third space. Her latest body of work, a series titled Ephemeral Echoes , marks a significant maturation in her career, moving her beyond the label of a promising digital illustrator to that of a critical voice in contemporary visual culture. riya sharma, artist, latest
Sharma's most recent major showcase is her series, titled "Woven Journey" . In this collection, she has pioneered a technique of painting on rescued Indian textiles , such as vintage sarees, which she then adheres to canvas using a "hand-stick" method she describes as a "final layer of love".
Critics have responded with enthusiasm. The Art Chronicle called Ephemeral Echoes “a necessary antidote to the soullessness of generative AI art,” praising Sharma’s ability to infuse digital tools with raw, confessional vulnerability. More importantly, her audience—a generation raised on dual screens—has seen itself reflected in her work. The exhibition’s AR component, which allows viewers to point their phones at a blank wall and see the paintings “float” in their own space, has gone viral on TikTok, not as a gimmick, but as an extension of the work’s central thesis: that art, like memory, is no longer confined to a single place. "The latest work is about what we leave
Her previous works were celebrated for their vibrant, chaotic energy—explosions of color that seemed to fight for attention on the canvas. However, her latest series marks a deliberate, mature pivot. Fragments of Tomorrow is muted, introspective, and deeply architectural. It explores the concept of memory not as a video recording, but as a crumbling structure.
Her current work is a fusion of Abstract Cubism and geometric textile art. She has moved away from heavy impasto oils
When you walk into the studio where Sharma is putting the final touches on her latest work, the first thing you notice isn't the smell of turpentine, but the silence. "I used to paint to fill space," Sharma says, wiping her hands on a paint-splattered apron. "Now, I paint to find it."
