The Nature Of Fear Nicola Samori · Trending & Premium

Samorì gestured to the corners of the room. "Look at them."

Samorì’s process is a ritual of creation and destruction. He begins by creating masterful, hyper-realistic copies of 16th and 17th-century Baroque icons—inspired by masters like and Caravaggio . Once the image is perfected, he "attacks" it: Nicola Samori | Seattle Artist League the nature of fear nicola samori

The basement of the Palazzo della Penna smelled of cold turpentine and old bones. It was here, in the silence beneath the streets of Perugia, that Julian finally found him. Samorì gestured to the corners of the room

Look at his series of Ecce Homo paintings. Christ is presented to the crowd: bleeding, crowned with thorns, mocked. But Samorì doesn’t paint the Christ of redemption. He paints the Christ of the second before redemption —the moment of pure, unheroic suffering. The flesh is mottled. The eyes are swollen shut. It is ugly. Once the image is perfected, he "attacks" it: